Windom Earle as the embodied evil. BOB as the metaphysical evil. Dealing with the former makes for an embarrassing melodrama. Lynch knows the discussion of good/evil is meaningful only on a surreal level. And that's why Earle is so instantly dismissed as trivial in Lynch's Red Room. A kind of authorial revenge for the derailed episodes.
当然还是好笑的但是很不对劲迪斯尼公主式的女权你必须足够纤细和富有才有资格谈解放段子很像黄阿丽女性困境是真实的不过太不尖锐了让子弹飞大胸女片段没有值得拍大腿的金句这种轻松喜剧的定位其实非常尴尬她爸虽然贡献了一半的笑点但把整个人设提炼出来就是个重症直男癌加巨婴所有人物都没有成长开头妈妈唯一一句i miss me too后来一点水花没有母女有效交流也绝望得近乎为零